Jill Elaine Hughes said...
"The Rejecter said...
OK guys, knock it off. There's a MILLION agent websites that will tell you that publishers/agents do not care where the author is from and do not demand, or even recommend, that the author is from NY. "
---True, they SAY this. But it does not reflect who they actually publish. Of all the new memoirs I've read in the past 6 months (I follow the genre closely since I write it myself), 8 out of 10 were by authors who live in NYC. And my own (and my agent's) experience with the NYC publishers definitely shows an anti-Midwest bias. The fact that the publishers who are buying my books (all major pubs) are not headquartered in NYC (two are in the Midwest; one is in London but is a division of Random House nonethelesss) certainly reflects this.
If you were from the Midwest yourself, you'd better appreciate the bias we have aimed at us from the East.
All right, let me give this a shot. Looking at this week's hardcover non-fiction bestseller list and the memoirs or memoir-like material listed:
1. THE LONE SURVIVOR by Marcus Luttrell. (Texas)
5. A LONG WAY GONE, by Ishmael Beah. (Sierre Leone)
7. THE REAGAN DIARIES, by Ronald Reagan. (Illinois)
10. THE BLACK SWAN, by Nassim Nicholas Taleb. (Lebanon)
14. I FEEL BAD ABOUT MY NECK, by Nora Ephron. (Brooklyn. Fair enough)
20. SAVE ME FROM MYSELF, by Brian "Head" Welch. (California)
21. MERLE'S DOOR, by Ted Kerasote. (Wyoming)
22. LITTLE HEATHENS, by Mildred Armstrong Kalish. (Iowa)
23. MARLEY & ME, by John Grogan. (Michigan or Florida; I can't tell)
24. DOG DAYS, by Jon Katz. (Upstate New York)
29. INFIDEL, by Ayaan Hirsi Ali. (Somalia)
Monday, July 16, 2007
Sunday, July 15, 2007
The Return Process Further Explained
Let's start by not allowing shops to return unsold books. Perhaps that'll make them stop overordering (which means it stops you overprinting in the first place)
During the program I had the opportunity to speak with two highly distinguished Barnes and Noble buyers, who explained their job and the challenges behind it. 114,000 books a year are published in America, and while these particular buyers dealt only with major companies and not small presses, and dealt only in their individual genres, that still equals dozens of books presented to them a day, on which they must make a very quick decision based on a lot of factors – content, price, author’s previous selling history, topic popularity, etc.
It’s an incredibly difficult job because it involves what amounts to guesswork, but if they guess wrong, they don’t last long as buyers. If they overguess, it means returns, at the expense of B&N, which is responsible for shipping them back to the publisher. If they underguess, it means they have to go back to the publisher and hope the books are ready to go or can be produced quickly enough to replenish their stocks before they lose potential business from customers. Obviously it’s expected that some books are going to become break-out hits and they are going to under-buy and then be ordering tens of thousands (or hundreds of thousands) more, but those books are extremely rare. Pinpointing the exact number is something the buyer is asked to do, even though it’s really impossible.
Addressing the poster, the shops being able to return unsold books is actually positive to both the store and the publisher, even if it’s a thing as well. The stores have to pay to get rid of them, but they would otherwise have to pay to rid of them as well. The books would go to scrap, and they would have to hire someone to pick them up and deliver them to the city as trash (recycling centers won’t take them). If they return to the publisher, the publisher has at least some hopes of reselling them at cost to the used market and recovering the cost of printing. Also it floods the used market, which means you can buy books for cheap. So, everyone wins/losses when the books go back to the publisher.
It’s a very complicated process, but it’s the best one anyone can think of until P.O.D. technology (as we’ve discussed) replaces printing books.
While we’re on the topic, let me dispel a myth. Books are not printed at publishing houses. Books are printed by massive printing centers somewhere in the mid-west and then shipped to warehouses of store. Presses are large machines, paper production smells bad, and we’re talking hundreds of thousands of books per month, so the center has to be large. Most mass market books are printed on Indian paper, which is cheaper and of lower quality, and keeps the cover price down on the book, so the paper is flown in from India and set to the printers in the mid-west. Most editors have never been to the place where the books they edit are printed, or if they have, it was once in their lifetime.
During the program I had the opportunity to speak with two highly distinguished Barnes and Noble buyers, who explained their job and the challenges behind it. 114,000 books a year are published in America, and while these particular buyers dealt only with major companies and not small presses, and dealt only in their individual genres, that still equals dozens of books presented to them a day, on which they must make a very quick decision based on a lot of factors – content, price, author’s previous selling history, topic popularity, etc.
It’s an incredibly difficult job because it involves what amounts to guesswork, but if they guess wrong, they don’t last long as buyers. If they overguess, it means returns, at the expense of B&N, which is responsible for shipping them back to the publisher. If they underguess, it means they have to go back to the publisher and hope the books are ready to go or can be produced quickly enough to replenish their stocks before they lose potential business from customers. Obviously it’s expected that some books are going to become break-out hits and they are going to under-buy and then be ordering tens of thousands (or hundreds of thousands) more, but those books are extremely rare. Pinpointing the exact number is something the buyer is asked to do, even though it’s really impossible.
Addressing the poster, the shops being able to return unsold books is actually positive to both the store and the publisher, even if it’s a thing as well. The stores have to pay to get rid of them, but they would otherwise have to pay to rid of them as well. The books would go to scrap, and they would have to hire someone to pick them up and deliver them to the city as trash (recycling centers won’t take them). If they return to the publisher, the publisher has at least some hopes of reselling them at cost to the used market and recovering the cost of printing. Also it floods the used market, which means you can buy books for cheap. So, everyone wins/losses when the books go back to the publisher.
It’s a very complicated process, but it’s the best one anyone can think of until P.O.D. technology (as we’ve discussed) replaces printing books.
While we’re on the topic, let me dispel a myth. Books are not printed at publishing houses. Books are printed by massive printing centers somewhere in the mid-west and then shipped to warehouses of store. Presses are large machines, paper production smells bad, and we’re talking hundreds of thousands of books per month, so the center has to be large. Most mass market books are printed on Indian paper, which is cheaper and of lower quality, and keeps the cover price down on the book, so the paper is flown in from India and set to the printers in the mid-west. Most editors have never been to the place where the books they edit are printed, or if they have, it was once in their lifetime.
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